Framing
I believe that true quality shows in every detail — which is why I also carefully craft the frames by hand to make sure everything feels complete, intentional and aligned with my work.
Quality-driven in every part of the process
Solid wood
In my search for a frame supplier, I quickly realized that many frames are made from pine wood with a veneer finish, which often feels quite fragile to the touch and can easily show marks or stains over time.
I also noticed a lot of variation in wood tones and colors, and I wanted to find the perfect match for my own work.
That’s why I decided to work with solid wood for my frames — and eventually started building them myself. I wanted full control over quality, feel and finish, to make sure everything is truly aligned. Because I simply don’t settle for less.
Quality-driven in every part of the process
My art deserves
its perfect frame
My artwork harmonises beautifully with oak and mahogany. Mahogany, especially, feels incredibly refined and carries a warm undertone that allows the colours in my paintings to truly come alive. It’s never too cool or too harsh — just balanced, rich and grounding in the best way.
And honestly, I fell in love with that feeling.
Quality-driven in every part of the process
Perfect finish
I don’t believe art is something that should be locked behind glass, untouchable and protected at all costs. To me, both the artwork and the frame should be something you can truly experience — even through touch.
I personally love running my hands over the canvas and I feel the same about the frame. That’s why it was so important to me that the wood has a soft, almost velvety feel when you touch it.
It should invite you in, not create distance — becoming part of the sensory experience of the piece itself.
Quality-driven in every part of the process
No detail left behind
I would say, my attention to detail shows in many aspects of my work.
I prefer not to sign my artworks on the front, as I feel it interrupts the overall composition and shifts the focus away from what the piece itself is expressing. For me, it’s not about the artist — it’s about the message and the feeling the work carries.
That’s why my signature is placed on the edge of the frame instead. It’s available in gold, silver, or as an embossed detail — subtle, refined, and intentionally integrated into the piece.